By Charles Crow

The Blackwell significant other to American nearby Literature is the main finished source but released for learn of this renowned box.

  • The so much inclusive survey but released of yank local literature.
  • Represents a wide selection of theoretical and ancient approaches.
  • Surveys the literature of particular areas from California to New England and from Alaska to Hawaii.
  • Discusses authors and teams who've been very important in defining nearby American literature.

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Extra info for A Companion to the Regional Literatures of America

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J. Keith calls “a welcome limitation of possibility” (1988: 10), one that allows for a richer understanding of individual wholeness – one, in Hampl’s words, that feels like sanity. The most compelling bioregional works attempt to establish imaginative title to specific American places, to reimagine a numinous landscape beneath a desacralized, irradiated, and overdeveloped one. One of the most ambitious of these is Snyder’s book-length poem, Mountains and Rivers without End. Forty years in the making, the poem is an exploration of whether it is possible to imagine a bioregional vision of the planet, with various places in the American West connected – like images in an East Asian painter’s hand scroll – to sites in Japan, Australia, China, and Taiwan: all of them linked by “the dynamics of mountain uplift, subduction, erosion, and the planetary water cycle” (Snyder 1996: 155).

The twisting boundaries of tribal units are provisional demarcations determined by language, culture, and natural features rather than by abstract governmental designations: the whole is a loose confederacy of biocultural locales. ” “Calamine lotion,” she replied, with no hint of sarcasm (1994: 1). The value of visualizing California not as a single entity but as a mosaic of interdependent, interlocking microregions, each with its distinctive landforms, climate zones, history, and blendings of culture, is that it brings the true richness of the state into sharper clarity.

It’s nice and quiet, so you listen . ” (1993: 68). Literary critics (like myself ) who wish to show that region and “place” are important – even crucially formative – elements of a writer’s sensibility sometimes skip over remarks like Stafford’s disavowal of “quaintness” and look for places where writers say their writing has been influenced by landscape and local communities. But if we are not careful, we may do at least two kinds of disservice to Stafford, Robinson, and 22 Michael Kowalewski other authors.

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